Made in four separate bands of equal width, this technique is typical among nomadic Tibetans who use portable, small looms. It is noteworthy for its rare use of green as a background colour.

GRUSENMEYER Karim, The Ancestor Transcends – Sculptural Art from Asia and Oceania, Tome III, jan 2008, cat. # 2

Photo credit : Gallery Grusenmeyer – Woliner

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